24 How to Draw Hair Ideas and Step-by-Step Tutorials
Table Of Content
To get the most out of this lesson, take my free Mini-Course on the essential concepts of realistic drawing. These video lessons will give you a framework, or 'order of operations', for approaching drawings of any subject matter, including hair. Explosive —but not too much, curly hair is voluminous, hard to control and, many times, hard to comb! Fluffy, soft, playful and gorgeous, those are some adjectives we can think about for curly hair.
How to Draw Different Kinds of Hair: Short, Long, Straight, Wavy, and Curly
Don't press too hard—hair is soft and shouldn't have a hard outline. The strands we'll be partially visible on top of the head as well. If you enjoyed this tutorial on how to draw hair, you may also be interested in... It is always easier to get somewhere when you know whereyou want to go. I’ve always thought that short, almost shaved hair feels like a carpet!
How to Draw Long, Straight Hair
Next, start adding more details by defining individual hair strands. Remember that hair strands are not uniformly thick throughout their length. Use varying line weights to give your drawing a more natural look. To begin, lightly sketch the basic shape of the hairstyle you want to draw. Use simple shapes like ovals or rectangles to define the overall structure. This step will serve as a foundation for the rest of your drawing.
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Hair-Raising Artworks.
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Step Three: Add texture to the hair
Doing so will help you better estimate the volume of the hair. This will help you identify areas for improvement and gain new perspectives on your hair drawing techniques. You can also consider adding background elements or accessories to complement the hairstyle and enhance the visual storytelling.
Simplifying the Complex and Creating Flow
Continue to fill in the hair with texture, adding more lines to the hairstyle to indicate volume. Fashion Illustrator Josefina Fernandez, renowned for her exquisite artistry, proposes using a recurrent ‘Y’ shape as the basic building block while sketching braids. According to her method, the ends of these ‘Y’s interconnect using a curved, inverted ‘C’ shape, regularly repeated to portray a natural flow. For instance, when the braid reaches shoulder level, it exhibits a soft curvature. “Breathing life into your braid drawing goes beyond making it fall straight.
And when I draw it, I like to give it a prickly, pointy, rough appearance. • I added some texture, following the direction of the curves. I also put in some irregularities around the edges to match the surface (B). • Hair does not form a compacted shape, nor a consistent one.
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You can erase the construction lines as you go through them. Over top of the drawing of the head and hairline outline the main shape/shapes of the hair. Erase the parts of the head (including the hairline) that are hidden by the hair once you are done drawing it’s basic shape. Try and make the shading strokes in a way where they flow along the different hair clumps and folds.
Notice that both the curl and the cylinder have ahighlight, halftone and shadow area. The core shadow on the curl issomewhat obscured by its texture. Let'sface it, the form of the head is basically an upside down egg. Nomatter what the model's hairstyle, there is usually an area of hair thatlies flat on the head and reveals the form. It is this area that is particularly important to pay attention to,otherwise the hair won't look believable, or the skull may lookstrangely shaped.
With curly hair, the collections are smaller and more compact. Since the hair is curly, the directional strokes that we make for each "clump" should also curve just as the hair does. Well, the results may be different, but the thought process is the same. We'll still need to start with the overall shape of the hair. Curly hair tends to have more stray hairs that find their way outside the confines of the general shape.
Draw the direction of the hair gently flowing down over the shoulders. Keep in mind that you're not drawing the single hairs here, just their flow. Hair is very difficult to draw, because what we see is different than what we know.
This means that we're likely to find the darkest darks, the lightest lights, and the middle values all within a head of hair. It clearly doesn't make sense to draw every strand of hair. Not only would this take an incredible amount of time to accomplish, but it also would lead to very unnatural looking hair.
Use shading techniques such as cross-hatching, stippling, or even blending with a smudging tool to add depth and dimension to your hair drawing. Drawing hair takes practice, but with these step-by-step tutorials, you’re well on your way to creating beautiful and realistic drawings. Every head of hair is unique and like many aspects of figure drawing, changes in viewpoint can dramatically affect the approach that you take. Light reflects off of hair differently and textures are diverse. Once we have a good understanding of the light, we can begin developing the texture and value of the hair. The directional strokes that are used should flow along the form of each collection of hairs.
In dark areas, don’t be afraid to press hard (I used a 6B to 8B for these areas). To bring out highlights, flatten your kneaded eraser and swipe it in the desired direction. The eraser will become too dirty after the first swipe, so fold it in and flatten after each stroke.
We'll first look at an easy to follow method that is broken down into 4 distinct processes... Shade the haircut in a more definite way, drawing shadows between groups of curls. Close the shape of each strand by mirroring its wave and adding a pointed tip. Shade the hair now, thinking in terms of strands, not single hairs. Outline the whole hair, following the rhythm of strands.
Deliberate and confident marks work best for stray hairs. It doesn't have to be an exact copy of the subject, so don't put too much pressure on yourself to make it perfect. In the example below, a combination of graphite and white charcoal is used to develop the drawing. The drawing is completed on toned paper which makes the white charcoal applications stand out. The image below is from Portrait Drawing The Smart Way.
Instead, part of my challenge will be tofigure out how to design what I see. To decide which details areimportant to include and which I can simplify or leave out of mydrawing. I want my pencil marks to be considered, conscious decisions. Move your pencil to the hair part and sketch bouncy, cloud-like patterns until you are just above the shoulders (or wherever you prefer).
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